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Submissions from 2016

Composing Across A Cultural Divide: Introducing Wang Yi, Cynthia Green Libby

Submissions from 2015

Profile in Courage: Ukrainian Composer Zhanna Kolodub, Cynthia Green Libby

Submissions from 2014

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Are Diversity and Inclusion Efforts in Higher Education Working? An Intercultural Communication Perspective, Shawn T. Wahl and Jake Simmons

Submissions from 2013

Alien: The Pre-oedipal Horror of (m)Other, Jamie Bihlmeyer

A Man and His Music Glendower Jones and Classical Vocal Reprints, Ann Marie Daehn

A Man and His Music Part Two: The Future, Ann Marie Daehn

Submissions from 2012

An artist residency in Taiwan, Keith Ekstam

Submissions from 2011

In Beauty We Walked: The Twelve Lecture-Recitals, Cynthia Green Libby

Submissions from 2010

Empathy as an Outcome of Learning Harp Therapy, Cynthia Green Libby and Daniel Hellman

Submissions from 2008

Founding Mother of the International Double Reed Society, Cynthia Green Libby

Taking a Chance on Harp Therapy at Missouri State University, Cynthia Green Libby

Submissions from 2006

From Bach ti Vivace Press: The Metamorphosis of Barbara Harbach, Cynthia Green Libby

Submissions from 2000

Oboe Virtuoso for Popular Consumption? An Interview with Cynthia Steljes of Quartetto Gelato, Cynthia Green Libby

Submissions from 1998

The Commissioning Performer, Cynthia Green Libby

Submissions from 1995

Burgers vs. Borscht: Americans on Tour in the Former Soviet Union, Cynthia Green Libby