Submissions from 2021
Publishing Accountability and Transparency in the Dance Field, Azaria R. Hogans and Martheya Nygaard
Submissions from 2015
Effect of reduced stiffness dance flooring on lower extremity joint angular trajectories during a ballet jump, James M. Hackney, Sara Brummel, Shannon Scott, Mary Newman, Matthew Reinagel, and Matthew Reinagel
Submissions from 2013
Feeling Double: The Psychophysical Activation of Personality in Bilingual Performance, Melanie Dreyer-Lude
Submissions from 2008
Five Foot Feat: Catherine Cole's Intersubjective Dismodernist Aesthetic, Telory W. Davies
Submissions from 2000
Performing absence: The staged personal narrative as testimony, Linda M. Park-Fuller
Submissions from 1995
Narration and narratization of a cancer story: Composing and performing A Clean Breast Of It, Linda M. Park‐Fuller
Charting alternative performance and evaluative practices, Linda M. Park-Fuller and Ronald J. Pelias
Submissions from 1994
Performance as praxis: The intercollegiate performance festival, Linda M. Park-Fuller
Submissions from 1992
Politicized performances: A symposium: The abnormal affair of the normal heart, Robert Bradley
Submissions from 1990
Minding the stops: Performance and affective stylistics, Nathan Stucky, Paul Gray, and Linda M. Park-Fuller
Submissions from 1986
Voices: Bakhtin’s heteroglossia and polyphony, and the performance of narrative literature, Linda M. Park-Fuller
