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Submissions from 2021

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IDCube lite: Free interactive discovery cube software for multi- and hyperspectral applications, Deependra Mishra; Helena Hurbon; John Wang; Steven T. Wang; Tommy Du; Qian Wu; David Kim; Shiva Basir; Maria Gerasimchuk-Djordjevic; and For complete list of authors, see publisher's website.

Submissions from 2015

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Early Formative Anthropomorphic Figurines from La Joya, Southern Veracruz, Mexico, Philip J. Arnold and Billie J. A. Follensbee

Submissions from 2014

Narrative form and Yam Lau's Room: The encounter in arts based research, Adrienne Boulton-Funke

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Crystalline Awareness: A Suggestion for Arts Assessment, Steve Willis

Submissions from 2013

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Visualizing federal spending, Rebecca Ruige Xu and Sean Hongsheng Zhai

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Visualizing federal spending, Rebecca Ruige Xu and Sean Hongsheng Zhai

Submissions from 2012

An artist residency in Taiwan, Keith Ekstam

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Science, Art and Landscape in the Nuclear Age, Catherine Jolivette

Submissions from 2009

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Out of statistics: Beyond legal, Rebecca Ruige Xu and Sean Hongsheng Zhai

Submissions from 2008

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Exploring visual culture through contemporary art practice: Making meaning and meaning making, Adrienne Boulton-Funke

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Fiber technology and weaving in formative-period Gulf Coast cultures, Billie J. A. Follensbee

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London Pride: 1951 and Figurative Sculpture at the South Bank Exhibition, Catherine Jolivette

Submissions from 2005

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Morrison's sula, Raleen Closser

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The four directions, Steve Willis

Submissions from 2004

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Historical and Operational Perspectives of the Advanced Placement Program in Studio Art, Steve Willis

Submissions from 2002

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Through the Eyes of a Novice Viewer Learning about Art in the Museum, Judith N. Fowler

Submissions from 2001

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If the Shoe Fits, Make it into Art Sole-Mates in Collaborative Learning, Judith N. Fowler

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Digitally manipulated images and painting, Wade S. Thompson

Submissions from 1997

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Rubens Peale's spectacles: An optical illusion?, Billie J. A. Follensbee