Submissions from 2016
Composing Across A Cultural Divide: Introducing Wang Yi, Cynthia Green Libby
Submissions from 2015
Profile in Courage: Ukrainian Composer Zhanna Kolodub, Cynthia Green Libby
Submissions from 2014
Are Diversity and Inclusion Efforts in Higher Education Working? An Intercultural Communication Perspective, Shawn T. Wahl and Jake Simmons
Submissions from 2013
Alien: The Pre-oedipal Horror of (m)Other, Jamie Bihlmeyer
A Man and His Music Glendower Jones and Classical Vocal Reprints, Ann Marie Daehn
A Man and His Music Part Two: The Future, Ann Marie Daehn
Submissions from 2012
An artist residency in Taiwan, Keith Ekstam
Submissions from 2011
In Beauty We Walked: The Twelve Lecture-Recitals, Cynthia Green Libby
Submissions from 2010
Empathy as an Outcome of Learning Harp Therapy, Cynthia Green Libby and Daniel Hellman
Submissions from 2008
Founding Mother of the International Double Reed Society, Cynthia Green Libby
Taking a Chance on Harp Therapy at Missouri State University, Cynthia Green Libby
Submissions from 2006
From Bach ti Vivace Press: The Metamorphosis of Barbara Harbach, Cynthia Green Libby
Submissions from 2000
Oboe Virtuoso for Popular Consumption? An Interview with Cynthia Steljes of Quartetto Gelato, Cynthia Green Libby
Submissions from 1998
The Commissioning Performer, Cynthia Green Libby
Submissions from 1995
Burgers vs. Borscht: Americans on Tour in the Former Soviet Union, Cynthia Green Libby