Title

The visceral politics of V for Vendetta: On political affect in cinema

Abstract

This essay concerns the role of political affect in cinema. As a case study, I analyze the 2006 film V for Vendetta as cinematic rhetoric. Adopting a multi modal approach that focuses on the interplay of discourse, figure, and ground, I contend that the film mobilizes viewers at a visceral level to reject a politics of apathy in favor of a politics of democratic struggle. Based on the analysis, I draw conclusions related to the evaluation of cinematic rhetoric, the political import of mass art, and the character and role of affect in politics.

Document Type

Article

DOI

https://doi.org/10.1080/15295030903554359

Keywords

Cinematic rhetoric, Embodied experience, Political affect, V for vendetta, Visceral

Publication Date

3-1-2010

Journal Title

Critical Studies in Media Communication

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