Submissions from 2021
IDCube lite: Free interactive discovery cube software for multi- and hyperspectral applications, Deependra Mishra; Helena Hurbon; John Wang; Steven T. Wang; Tommy Du; Qian Wu; David Kim; Shiva Basir; Maria Gerasimchuk-Djordjevic; and For complete list of authors, see publisher's website.
Submissions from 2015
Early Formative Anthropomorphic Figurines from La Joya, Southern Veracruz, Mexico, Philip J. Arnold and Billie J. A. Follensbee
Submissions from 2014
Narrative form and Yam Lau's Room: The encounter in arts based research, Adrienne Boulton-Funke
Crystalline Awareness: A Suggestion for Arts Assessment, Steve Willis
Submissions from 2013
Visualizing federal spending, Rebecca Ruige Xu and Sean Hongsheng Zhai
Visualizing federal spending, Rebecca Ruige Xu and Sean Hongsheng Zhai
Submissions from 2012
An artist residency in Taiwan, Keith Ekstam
Science, Art and Landscape in the Nuclear Age, Catherine Jolivette
Submissions from 2009
Out of statistics: Beyond legal, Rebecca Ruige Xu and Sean Hongsheng Zhai
Submissions from 2008
Exploring visual culture through contemporary art practice: Making meaning and meaning making, Adrienne Boulton-Funke
Fiber technology and weaving in formative-period Gulf Coast cultures, Billie J. A. Follensbee
London Pride: 1951 and Figurative Sculpture at the South Bank Exhibition, Catherine Jolivette
Submissions from 2005
Morrison's sula, Raleen Closser
The four directions, Steve Willis
Submissions from 2004
Historical and Operational Perspectives of the Advanced Placement Program in Studio Art, Steve Willis
Submissions from 2002
Through the Eyes of a Novice Viewer Learning about Art in the Museum, Judith N. Fowler
Submissions from 2001
If the Shoe Fits, Make it into Art Sole-Mates in Collaborative Learning, Judith N. Fowler
Digitally manipulated images and painting, Wade S. Thompson
Submissions from 1997
Rubens Peale's spectacles: An optical illusion?, Billie J. A. Follensbee
