"The (un)speakable FEMININITY in mainstream movies: Jane Campion's The " by Jaime Bihlmeyer
 

Title

The (un)speakable FEMININITY in mainstream movies: Jane Campion's The Piano

Abstract

Jane Campion's film The Piano (1993) opens an uncanny space in mainstream movies where cinematic enunciation intersects with the linguistic and psychoanalytic innovations of the last half-century. This article presents a glimpse into the traces (semios) of FEMININITY as latent extra-Symbolic discourse in Campion's film.

Department(s)

Media, Journalism, and Film

Document Type

Article

DOI

https://doi.org/10.1353/cj.2005.0004

Publication Date

12-1-2005

Journal Title

Cinema Journal

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