Title
The (un)speakable FEMININITY in mainstream movies: Jane Campion's The Piano
Abstract
Jane Campion's film The Piano (1993) opens an uncanny space in mainstream movies where cinematic enunciation intersects with the linguistic and psychoanalytic innovations of the last half-century. This article presents a glimpse into the traces (semios) of FEMININITY as latent extra-Symbolic discourse in Campion's film.
Department(s)
Media, Journalism, and Film
Document Type
Article
DOI
https://doi.org/10.1353/cj.2005.0004
Publication Date
12-1-2005
Recommended Citation
Bihlmeyer, Jaime. "The (Un) Speakable FEMININITY in Mainstream Movies: Jane Campion's" The Piano"." Cinema Journal (2005): 68-88.
Journal Title
Cinema Journal
COinS
