Theses/Dissertations from 1977
The Dynamics of Social Power in a Theatrical Production Company, Nancy L. Ruppenthal
Theses/Dissertations from 1976
The Serpent: Examination, Exploration, Evaluation, 1976, Christine E. Stoyke
Theses/Dissertations from 1975
A Production Notebook For Paul Foster's Tom Paine, Donald G. Buschmann
A Production Notebook On Waiting For Godot, Margaret Joan Libertus
Preparation of a Dramatic Script For Solo Interpretation: the Tragedy of Macbeth, Dane Eric Madsen
A Production Notebook on Godspell , Produced At Springfield Catholic High School, Janice A. Matthews
A Creative Project In Design: The House Of Blue Leaves, A Play In Two Acts, Gerald E. Miller
Theses/Dissertations from 1974
A Design For Garcia Lorca's Yerma: Creative Project, Timothy T. Reynolds
Theses/Dissertations from 1973
Charting The Quest Of Demian Through The Medium Of Interpreters Theatre, Diane Anderson
The Impact and Implications Derived From the Restructuring of the Children's Theatre Conference, Kenneth D. Morris
Kinesics as Applied to Interpreters Theatre, Sharron Henry Pelham
Theses/Dissertations from 1972
A History of Legitimate Theatre in St. Joseph, Missouri, 1865-1900, Lawrence J. Karasz
Theses/Dissertations from 1971
An Interpreters Theatre: Adaptation of Nothing Gold Can Stay, Betty Jean Dayoub
The Landers Theatre in Springfield, Missouri, 1909 to 1921, Menno John Kraai
Theses/Dissertations from 1970
An Experimental Study of the Effects of Programmed Learning Upon Cognitively Experienced Stage Fright, Norma Jean Gillming
Theses/Dissertations from 1969
A History of the Southwest Missouri State College Summer Tent Program, 1963-1968, Will Craig Hutchison
